MAREIKE YIN‐YEE LEE *Toronto, Canada lives and works in Berlin, Germany EDUCATION//AUSBILDUNG |
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2003 | BFA Nova Scotia College of Art and Design, Halifax, CA | |
2002 | University of Toronto, Arts and Science |
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2001 | Universität der Künste, Berlin DE | |
1998 | Nova Scotia College of Art and Design, Halifax, CA | |
SOLO/DUO EXHIBITIONS//EINZEL/ZWEIERAUSTELLUNGEN | ||
2024 | c h a m a e l e o n . Drawing installation. A TRANS-Vitrine Berlin, Germany | |
2023 | A few thoughts on how things fit together. Installation in collaboration with composer Michael Winter. Galerie im Lichthof Ost, Humboldt Universität Berlin, Germany | |
2022 | Imagined Worlds Expanding. Installation with composer Ellen Arkbro. Khimaira, Stockholm, Sweden | |
2019 | SinusTon. Magdeburg, Germany. | |
2018 | RIGHT OR WRONG CORNER. With the room installation "Meridians". A TRANS @ Kunstpunkt Berlin, Berlin, Germany | |
2015 | WAVES: From me to You. Mute Gallery, Lisbon, Portugal | |
2009 | SLAPBACK. A trans Pavilion, Berlin, Germany | |
2006 | HUT: Red Threads and Welcome and Heart. Galerie MAI (Montreal Arts Interculturels), Montreal, Canada | |
2006 | YOU CAN HAVE IT ALL. Stichting Duende, Rotterdam, Netherlands | |
2005 | W TYM MIESCIE *wie tym momencie* IN THIS CITY *at this instant* But really it could just be called Longing. Galerie Naprzewic, Poznan, Poland | |
2003 | Pink Arm Lived and then Died. Anna Leonowens Gallery, Halifax, Canada | |
2001 | makeshift. Khyber Closet Gallery, Halifax, Canada | |
2001 | Always wanted(sidelong)(otherthings, othertimes)or place for a wallflower". Eyelevel Gallery Windows, Halifax, Canada | |
GROUP EXHIBITIONS//GRUPPENAUSTELLUNGEN | ||
2024 | Anonymous Drawings and Lines Fiction. Kunstraum Kreuzberg, Berlin, Germany. | |
2022 | Tacit Affinities. Hošek Contemporary, Berlin, Germany. | |
2022 | RELATIONAL GROUNDS: Drawing in Space. BLA Connect. B-LA Connect, SILA Projects and ATrans, Los Angeles, USA. | |
2022 | Shimmering Contours. BLA Connect. Residency Exhibition, Leveld Kunstnartun, Leveld, Norway. | |
2021 | We Sing for the Future. With "SEE HEAR", an audiovisual film collaboration w/ composer Marc Sabat, performed by the Harmonic Space Orchestra and guests. Louth Contemporary Music Society Festival, Louth, Ireland. | |
2020 | Harmonic Space 2020: James Tenney. Kindl Zentrum für zeitgenössische Künst and KM28, Berlin, Germany. | |
2020 | At the still point of the turning world. Audiovisual collaboration with The Still. Kunsthaus Kule, Berlin, Germany. | |
2020 | Seiten | Räume. Linienscharen, Platform für zeitgenössische Zeichnung. Künstlerhaus Ulm, Germany. | |
2020 | Hands to Mouths. Beyond 2020: Microtonal Music Festival. Pittsburgh, USA. | |
2019 | Seiten | Räume. Linienscharen, Platform für zeitgenössische Zeichnung. Museum Ritter, Waldenbruch, Germany. | |
2019 | Seiten | Räume. Linienscharen, Platform für zeitgenössische Zeichnung. Hospitalhof Stuttgart, Germany. | |
2019 | Chords, Melodies. Organized by Fredrik Rasten and Marc Sabat. KM28, Berlin, Germany. | |
2019 | Seiten | Räume. Linienscharen, Platform für zeitgenössische Zeichnung. Städtischen Galerie Ostfildern, Germany. | |
2018 | AMBITUS. Kunst und Musik Heute. (September - January 2019) "HANDS TO MOUTHS", collaboration with composer Marc Sabat, video installation and composition, Kunstmuseum Kloster unser lieben Frauen Magdeburg, Germany | |
2018 | Seiten | Räume. Künstlerbuch-Projekt der Linienscharen, Platform für zeitgenössische Zeichnung. Schriftstellerhaus, Stuttgart, Germany. | |
2018 | Seiten | Räume. Künstlerbuch-Projekt der Linienscharen, Platform für zeitgenössische Zeichnung. Stadtbibliothek am Mailänder Platz - Graphothek, Stuttgart,Germany. | |
2018 | WATER WALK. With "Light Ground", (collaboration w/ Marc Sabat) film installation+live music performance played by members of the Solistenensemble Kaleidoskop and singer Marianne Svasek. Kunstmuseum Kloster unser lieben Frauen / Gesellschaftshaus Magdeburg, Germany | 2018 | Seiten | Räume. Künstlerbuch-Projekt der Linienscharen, Platform für zeitgenössische Zeichnung. Württembergischer Kunstverein (WKV), Stuttgart Germany. |
2018 | KunstBUCH. With the artist book "Keeping Tides Tidal". "Powering down at dusk", modo Verlag, Freiburg, Germany | |
2017 | Dreams and Fears. With the room installation "Powering down at dusk", Kunstbezirk Stuttgart, Gustav-Siegle-Haus, Stuttgart, Germany | |
2017 | sun left field walk. Room installation for in_visible limits at Kunst(zeug)haus Rapperswil, Switzerland | |
2016 | in_visible limits. With the room installation "PRE BE LOVED, 2 LAKES", Kunsthaus Interlaken, Switzerland | |
2016 | differenzierbare Mannigfaltigkeiten, curated by Linienscharen. In den Querungen, Württembergische Kunstverein Stuttgart, Germany. | |
2016 | Light Ground. With Marc Sabat & the Plainsound Orchestra. Studio 8, Berlin, Germany | |
2016 | in_visible limits. With the installation "May Aye?", curated by Raimund Menges. Kunstverein Konstanz, Germany | |
2016 | SUNRISE SUNSET. Video installation and performance of "Light Ground" with Marc Sabat, curated by Adela Yawitz & Catherine Wood. KW Institute for Contemporary Art- KUNST-WERKE BERLIN e.V., Berlin, Germany | |
2016 | in_visible limits. With the room installation "noise, see". Neuer Kunstverein Aschaffenburg, Germany | |
2015 | Cycles IV: Água Rocha Rede. Quiet Cue, Berlin, Germany | |
2014 | Drawing Show II: Connecting Dots. LeRoy Neiman Gallery, New York, NY | |
2014 | Connect the Dots. aquabitArtgallery, Berlin | |
2013 | Kultur:Stadt. (with Parkhaus Projects) Akademie der Künste, Berlin, Germany | |
2013 | Billo BÄM: New Ways to Sculpture. Curated by Adriane Wachholz and Hannes Woidich. Künstlerhaus Dortmund | |
2012 | NEULAND: Aufbruch. Galerie Thron, Reutlingen | |
2012 | Dis/Place, Person, Thing. Parkhaus Projects Berlin, Germany | |
2012 | Blooming in the dark. Historisches Kellar, Berlin, Germany | |
2012 | Circulation. Parkhaus Projects Berlin, Germany. | |
2012 | Availabism. Superfluo Contemporary Arts Projects, Padua, Italy. | |
2011 | The Space Between. Engels, Berlin, Germany |
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2011 | This is what happens with that kind of thing. Historisches Kellar, Berlin, Germany |
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2010 | ABSORB: Crossroads and Measuring Sticks. TAC Temporary Arts Centre, Eindhoven, Netherlands *see images | |
2010 | pigment. With the installation "Thoughts of Dreams and Shadows." Ehemalige Markthalle des Zentralviehhofs, Berlin, Germany |
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2010 | from the nipple to the bottle never satisfied. Nadania Idriss Contemporary, Berlin, Germany |
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2010 | ABSORB. Extrapool, Nijmegen, Netherlands |
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2009 | Big Bang Beautiful. Parkhaus, Berlin, Germany | |
2009 | Gründonnerstag. K-Salon, Berlin, Germany | |
2008 | Von Jetzt bis Dann. Kunstraum Kreuzberg Bethanien, Berlin, Germany | |
2008 | ARTFORUM. mit Goldrausch Art IT. Berlin, Germany | |
2008 | aus gezeichnet_das Kraftfield der Linie//drawing all over_the power of line. Curated by Dr. Otto Rothfuss and Margarete Rebmann. KISS (Kunst im Schloss Untergröningen), Germany *see images |
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2008 | Show Me the Way. La Condition Japonaise, Berlin, Germany | |
2007 | Labyrinths. Botkyrka Konsthall, Sweden | |
2006 | Rotterdam [inter]nationaal. KunstAmbassade, Rotterdam, Netherlands | |
2006 | Exota. Kunsthal, Rotterdam, Netherlands | |
2006 | L’affaire est dans le sac!/It’s in the Bag! Galerie Diagonale, Montreal, Canada | |
2006 | Small Pieces. With Keiko Kimoto. Galerie von Döring, Schwäbisch Hall, Germany | |
2005 | The Landscape is Beautiful.
Stichting Atelierbeheer Slak, Arnhem, Netherlands
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2000 | wHole. Anna Leonowens Gallery, Halifax, Canada | |
SCHOLARSHIPS, AWARDS, RESIDENCIES | ||
2022 | Leveld Kunstnartun residency. Leveld, Norway | |
2022 | Khimaira residency. With composer Ellen Arkbro. Stockholm, Sweden | |
2021 | Sonderstipendium INITIAL der Akademie der Künste / Akademie der Künste’s INITIAL Special Grant | |
2020-21 | Stiftung Kunstfonds, NEUSTART KULTUR, stipend for contemporary art | |
2018 | Q-02 residency. With composer Marc Sabat. Brussels, Belgium | |
2015 | Mute Gallery residency. Lissabon, Portugal | |
2010 | INM curatorial grant for ZWIELICHT, with composer Marc Sabat | |
2009 | INM curatorial grant for ZWIELICHT, with composer Marc Sabat | |
2008 | goldrausch künstlerinnenprojekt art IT | |
2006 | Duende Studios residency. Rotterdam, Netherlands | |
2006 | Galerie MAI (Montreal Arts Interculturels), Montreal, Canada | |
2005 | Duende Studios. Rotterdam, Netherlands | |
2005 | Commission by SLAK Foundation for edition of etchings | |
2005 | Stichting Atelierbeheer Slak residency. Arnhem, Netherlands | |
2001 | Joseph Beuys Scholarship, Nova Scotia College of Art and Design | |
2001 | Canada Millenium Award of Excellence | |
PUBLICATIONS | ||
"light lines" (artist book) "AMBITUS: Kunst und Musik Heute / ART AND MUSIC TODAY", exhibition catalogue, 2019. Kunstmuseum kloster unser lieben frauen magdeburg "Knots", artist book, 2018 "Keeping Tides Tidal", artist book, 2018 "in_visible limits: Grenzgänge in Kunst und Gesellschaft", exhibition catalogue, modo verlag, 2017 "The Very Last Drop", artist book, 2010 "Eye Pulse Tone", artist book, 2009 "Looking Forwards, Backwards", artist book, ISBN 978-3-937476-91-9, 2008 "Aus gezeichnet: im Kraftfeld der Linie", Katalog, KISS 2008 "Subject: Yellows", artist pages, Tidskriften OEI, issue #31-32, 2007 Arts Atlantic, artist’ pages, "Pink Arm lived and then Died", Winter issue 2004 "In this city", artist book, 2004 "Homesick tic(k)", artist book, 2003/2006 "Book of Certitudes", artist book, 2002 "Isolating Red", artist book, 2001 |
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CURATORIAL | ||
2012 | Dis/place, Person, Thing. (September) Exhibition at Parkhaus Projects, Berlin www.parkhausprojectsberlin.de |
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2012 | Circulation. (April) Exhibition at Parkhaus Projects, Berlin |
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2011 | My Own Private Leitkultur. (October) Exhibition at Parkhaus Projects, Berlin |
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2011 | Keep Some Doubt for the Doubt. (June) Exhibition at Parkhaus Projects, Berlin
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2011 | The Way Things Move. (April) Exhibition at Parkhaus Projects, Berlin |
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2009-10 | ZWIELICHT, monthly new music concert series together with composer Marc Sabat www.zwielicht-editions.org www.zwielicht-editions.org/zwielicht2009 |